Maison Aurelia Cutting the crystal

Haute parfumerie Bath, est. 2009

Scent, composed for one.

A perfume made the way a tailor makes a coat: by sitting, by fitting and by hand. One formula, one wearer, entered in the ledger and never sold twice.

Scroll to lift the stopper

Chapter one The opening

The opening

Lift the stopper.

Each flacon is cut by hand in lead-free crystal and ground to its own stopper, so no two close alike. Lift it, and the perfume has somewhere to go.

Cut and polished in Stourbridge

Four parts, one object.

A cut stopper, a gilt collar, a crystal body and a silk bulb. Each is made for us within a day's drive of Bath and married on the bench in the atelier.

Assembled by one pair of hands

It leaves in ribbons.

Perfume never arrives all at once. It unspools: the bright notes first, then the flowers, then whatever is still on your scarf in the morning.

Three movements, one composition

0103

Chapter two Top notes

The first ten minutes.

Top notes are the handshake. Cold-pressed bergamot peel, crushed pink pepper and neroli petals leave the skin fast and bright. They are the reason a stranger turns their head.

  • Bergamot peelCalabria
  • Pink pepperRéunion
  • Neroli petalsNabeul

Gone in a quarter of an hour

Chapter three The heart

Then the flowers arrive.

Give it fifteen minutes. The heart is the true subject of a perfume, and ours is very often a rose: rose de Mai from Grasse, picked before nine in the morning in the three weeks it flowers.

4tonnes of petals
to one kilo of absolute

Chapter four Base notes

What stays.

Amber, labdanum and a thread of birch smoke. Base notes are heavy molecules and slow leavers. They hold the rest to your skin for ten hours and to your coat for a week.

14weeks in the dark
before anything is poured

Chapter five The atelier

Your turn at the organ.

Three choices, as at a first sitting. The liquid, the ribbons and the flower above the flacon follow your hand.

Top opens

Heart carries

Base keeps

Draft Nº 111

Gilded Rose at First Light

Bergamot opens it, rose de Mai carries it, amber keeps it.

Sillage
Longevity
Warmth

Drag the flacon to turn it

Chapter six The sillage

Now wear it.

Press and hold. The cloud follows your hand, which is all that sillage means: the trail a perfume leaves in the air behind you.

0sprays so far.
Two is plenty.

Chapter seven The house five

Poured to order.

Nº 03

Orchard Smoke

Quince, cider apple, birch tar

£16550 ml eau de parfum

Nº 07

Pulteney Rain

Wet stone, violet leaf, vetiver

£17550 ml eau de parfum

Nº 11

Gilt

Saffron, honey, benzoin

£21050 ml extrait

Nº 14

Sulis

Hot mineral spring, orris, frankincense

£19550 ml eau de parfum

Nº 19

Crescent

Neroli, white tea, clean musk

£18550 ml eau de parfum

Five perfumes, made in batches of sixty and filled when you ask

Chapter eight In gold

Wornby one.

Made in Bath. Poured by hand.
Yours alone.

Begin a commission

Commissions Three ways in

A perfume with your name in the ledger.

i.

The Sitting

£180

Ninety minutes at the organ with our perfumer, 312 raw materials within reach, and three sketches to take home on blotters. Credited in full against any commission.

  • One sitting in Bath
  • Three 2 ml sketches
  • Your notes kept on file
ii.

The Signature

from£2,400

Three sittings over fourteen weeks. A formula written for you alone, 50 ml of extrait in a hand-cut flacon, and your number in the ledger for good.

  • Three sittings and two trial wears
  • 50 ml extrait, cut crystal flacon
  • Refills from £320
iii.

The Heirloom

from£6,800

Everything in the Signature, with a flacon cut to your own drawing, an engraved stopper, 100 ml, and a formula that may be left to someone in writing.

  • Flacon designed with our cutter
  • 100 ml extrait and a travel atomiser
  • Refills at cost, for life

The process Fourteen weeks

Slowly, and in person.

  1. 01

    The sitting

    We talk, and you smell. Gardens you grew up in, a coat you loved, what you cannot stand. By the end there are three directions on paper.

    Week one
  2. 02

    The sketches

    Three trial perfumes arrive by post. Wear each for a week, on skin and on cloth, and write down what other people say.

    Weeks two to five
  3. 03

    The fitting

    Back to the atelier. We keep one sketch and take it in at the waist: less pepper, more iris, a longer dry-down. Then it rests.

    Week six
  4. 04

    The pour

    After eight weeks in the dark the perfume is filtered, poured by hand, numbered, and entered in the ledger under your name.

    Week fourteen

The small print In numbers

In numbers

312
raw materials on the organ
412
formulas in the ledger since 2009
14
weeks from sitting to pour
1
wearer for each formula, ever

A perfume is finished when the person wearing it stops noticing it, and everyone else starts.

Ottilie Vane, perfumer and founder

Enquire By appointment

Begin with a conversation.

Tell us a little about who the perfume is for. We reply by hand within two working days and take six commissions a month.

The atelier
7 Saffron Row
Bath BA1 0ZZ
Telephone
01632 960 118
Hours
Tuesday to Friday, 10 to 6, by appointment
Saturday, 10 to 4, open door
Sunday and Monday, closed

Composer draft: Gilded Rose at First Light

This is a concept site. Nothing is sent or stored.