Lift the stopper.
Each flacon is cut by hand in lead-free crystal and ground to its own stopper, so no two close alike. Lift it, and the perfume has somewhere to go.
Haute parfumerie Bath, est. 2009
A perfume made the way a tailor makes a coat: by sitting, by fitting and by hand. One formula, one wearer, entered in the ledger and never sold twice.
Scroll to lift the stopper
Chapter one The opening
Each flacon is cut by hand in lead-free crystal and ground to its own stopper, so no two close alike. Lift it, and the perfume has somewhere to go.
A cut stopper, a gilt collar, a crystal body and a silk bulb. Each is made for us within a day's drive of Bath and married on the bench in the atelier.
Perfume never arrives all at once. It unspools: the bright notes first, then the flowers, then whatever is still on your scarf in the morning.
0103
Chapter two Top notes
Top notes are the handshake. Cold-pressed bergamot peel, crushed pink pepper and neroli petals leave the skin fast and bright. They are the reason a stranger turns their head.
Chapter three The heart
Give it fifteen minutes. The heart is the true subject of a perfume, and ours is very often a rose: rose de Mai from Grasse, picked before nine in the morning in the three weeks it flowers.
4tonnes of petals
to one kilo of absolute
Chapter four Base notes
Amber, labdanum and a thread of birch smoke. Base notes are heavy molecules and slow leavers. They hold the rest to your skin for ten hours and to your coat for a week.
14weeks in the dark
before anything is poured
Chapter five The atelier
Three choices, as at a first sitting. The liquid, the ribbons and the flower above the flacon follow your hand.
Top opens
Heart carries
Base keeps
Draft Nº 111
Gilded Rose at First Light
Bergamot opens it, rose de Mai carries it, amber keeps it.
Drag the flacon to turn it
Chapter six The sillage
Press and hold. The cloud follows your hand, which is all that sillage means: the trail a perfume leaves in the air behind you.
0sprays so far.
Two is plenty.
Chapter seven The house five
Quince, cider apple, birch tar
£16550 ml eau de parfum
Wet stone, violet leaf, vetiver
£17550 ml eau de parfum
Saffron, honey, benzoin
£21050 ml extrait
Hot mineral spring, orris, frankincense
£19550 ml eau de parfum
Neroli, white tea, clean musk
£18550 ml eau de parfum
Five perfumes, made in batches of sixty and filled when you ask
Commissions Three ways in
£180
Ninety minutes at the organ with our perfumer, 312 raw materials within reach, and three sketches to take home on blotters. Credited in full against any commission.
from£2,400
Three sittings over fourteen weeks. A formula written for you alone, 50 ml of extrait in a hand-cut flacon, and your number in the ledger for good.
from£6,800
Everything in the Signature, with a flacon cut to your own drawing, an engraved stopper, 100 ml, and a formula that may be left to someone in writing.
The process Fourteen weeks
We talk, and you smell. Gardens you grew up in, a coat you loved, what you cannot stand. By the end there are three directions on paper.
Week oneThree trial perfumes arrive by post. Wear each for a week, on skin and on cloth, and write down what other people say.
Weeks two to fiveBack to the atelier. We keep one sketch and take it in at the waist: less pepper, more iris, a longer dry-down. Then it rests.
Week sixAfter eight weeks in the dark the perfume is filtered, poured by hand, numbered, and entered in the ledger under your name.
Week fourteenThe small print In numbers
A perfume is finished when the person wearing it stops noticing it, and everyone else starts.
Enquire By appointment
Tell us a little about who the perfume is for. We reply by hand within two working days and take six commissions a month.
Received Thank you
In a real atelier a reply would be with you within two working days. Maison Aurelia is fictional, so nothing has been sent, but thank you for trying it on.